About |
A singer songwriter with Gold and Platinum credits Lindsay graduated from Queen’s University Film School and went on to begin his career at RCA Records in the Film/TV licensing division. Combining his interests of film and music along with the development of artist’s career’s led him to the launch of the now defunct SQUINT record label spearheading radio promotion, production, and film and TV licensing. Though only a handful of records were released Lindsay went on to break the career’s of recording artists SIXPENCE NONE THE RICHER with their smash singles “KISS ME” and “THERE SHE GOES”, and CHEVELLE, who are currently dominating rock and alternative radio. His strategic campaigns to break both bands through long-term artist development, film/TV placements, radio, and touring were key elements to their success.
Lindsay was recruited to launch and be the SVP and Executive in Charge Of Music for Walden Media and Bristol Bay Productions under The Anschutz Film Group umbrella with music supervision, marketing, and soundtracks as a focus. He is the Soundtrack Producer and/or Music Supervisor for HOLES, STOMP (A Pulse Odyssey) IMAX, Ray, GHOST OF THE ABYSS (Titanic) IMAX, SAHARA, NARNIA (The Lion, Witch and The Wardrobe), JOURNEY TO THE CENTER OF THE EARTH, CITY OF EMBER, BRIDGE TO TERABITHIA, HOW TO EAT FRIED WORMS, AMAZING GRACE, I AM DAVID, AROUND THE WORLD IN EIGHTY DAYS, NIM’S ISLAND, NARNIA (Prince Caspian), NARNIA (Dawn Treader), BANDSLAM!, and several others in production.
He specializes in working closely with directors, composers, artists, and producers from development to delivery, ensuring that their musical visions are executed be it orchestral score, source music, or original recordings. Live recordings, on camera performances, pre-records, and music driven films are his passion. Lindsay has built a strong team of composers, music editors, sound mixers, and producers that he can turn to when needed. Lindsay will oversee all music related budgets, marketing, publishing, and strategic music initiatives to see that music is being maximized for the film and that integrity is first and foremost. His ability to strategically partner composers, songwriters and artists to creatively enhance a film, are what inspire him most.